REAS

EXHIBITIONS

Ultraconcentrated EXHIBITION at bitforms gallery. new york, ny. 2013.

an empty room EXHIBITION at lacma. los angeles, ca. 2023.

Century EXHIBITION at dam projects. berlin, germany. 2012.

Interreality EXHIBITION at desmond tower. los angeles, ca. 2023.

Programmed: Rules, Codes, and Choreographies in Art, 1965 – 2018 EXHIBITION at the whitney museum. new york, ny. 2018.

linear perspective EXHIBITION at charlie james gallery. los angeles, ca. 2015.

Casey Reas and Suzung Kim EXHIBITION at bitforms. seoul, south korea. 2006.

natural EXHIBITION at bank. los angeles, ca. 2005.

Since the early 2000s, Casey Reas’ work has been presented widely in museums, galleries, and festivals around the world. His exhibitions range from solo presentations that explore new bodies of work in depth, to group shows that situate his practice within broader conversations. Overall, these exhibitions chart the evolution of generative and software-based art across media through software installations, videos, prints, plotter drawings, and blockchain-registered works, and highlight how these forms resonate in both physical and social space.

Reas’ work has been shown at institutions including the Whitney Museum of American Art, the Los Angeles County Museum of Art, the San Francisco Museum of Modern Art, the Centre Pompidou, the Victoria and Albert Museum, and the Ullens Center for Contemporary Art in Beijing. He has exhibited extensively with galleries such as bitforms (New York) and DAM Projects (Berlin), alongside international venues committed to digital and conceptual practices.

This page provides an overview of exhibitions spanning more than two decades, tracing the reception of Reas’ work across contexts and generations, and showing how systems-based art has become an essential part of contemporary culture.

Selected solo and two-person exhibitions

Purely Platonic. DAM. Berlin, Germany. 19 June – 31 July 2025. Debut of new Still Life drawings. [S-30]

Operational, yet Oneiric. MUD. Shanghai, China. 28 August – 12 October 2024. Curated by Iris Long. Debut of Network E and selection of Untitled Film Stills. [S-29]

Wet and Saturated Process. Unit London. London, UK. 24 April – 25 May 2024. Debut of a new series of Technical Images created with Erika Weitz and Earthly Delights 3.2. [S-28]

It Doesn’t Exist (In Any Other Form). bitforms. New York, NY. 9 November 2023 – 12 January 2024. Debut of the final four Still Life artworks and There’s No Distance. [S-27]

Conjured Terrain. Vellum. Los Angeles, CA. 6 – 29 October 2023. Two-part exhibition starting in Berlin and continuing in Los Angeles. [S-26]

Conjured Terrain. DAM. Berlin, Germany. 5 – 23 September 2023. Two-part exhibition starting in Berlin and continuing in Los Angeles. Debut of Untitled Film Stills Series 3, 4, 5. [S-25]

923 Empty Rooms. Bright Moments. Tokyo, Japan; Berlin, Germany; London, UK; New York, NY. Mexico City, Mexico; Los Angeles, CA. 14 – 19 August 2023. Simultaneous one-week exhibition in six cities, opening in Tokyo and concluding in Los Angeles. Debut of 923 Empty Rooms. [S-24]

An Empty Room. Los Angeles County Museum of Art (LACMA). 9 April – 2 July 2023. Commissioned artwork installation for the exhibition Coded: Art Enters the Computer Age, 1952–1982. Debut of An Empty Room. [S-23]

Alchemical. bitforms gallery. New York, NY. 8 January – 14 February 2021. Debut of Compressed Cinema videos created with Jan St. Werner. [S-22]

Compressed Cinema. DAM. Berlin, Germany. 22 March – 4 May 2019. Debut of Untitled Film Stills, Earthly Delights. [S-21]

Stochastic Confabulation. California Polytechnic State University Art Gallery. San Luis Obispo, CA. 2 November – 1 December 2017. Operation TEAPOT, Still Life (RGB-AV A), Pfft! [S-20]

There’s No Distance. bitforms gallery. New York, NY. 10 September – 16 October 2016. Debut of Still Life software. [S-19]

Tox Screen. Art Center. Shanghai, China. 6 September – 4 October 2015. Tox Screen. [S-18]

Linear Perspective. Charlie James Gallery. Los Angeles, CA. 5 September – 17 October 2015. Debut of Today’s Ideology, KTTV (August 2015), AYFABTU, Linear Perspective. [S-17]

Yes No. Pasadena City College. Pasadena, CA. 23 January – 29 March 2014. Debut of Tox Screen. [S-16]

Ultraconcentrated. bitforms gallery. New York, NY. 5 September – 12 October 2013. Debut of Ultraconcentrated, Americans!, Control Room prints. [S-15]

CENTURY. Gallery [DAM] Berlin. Berlin, Germany. 29 September – 27 November 2012. Debut of Yes No, Network C, Signal to Noise (Software 1) and related prints. [S-14]

Process. BCA Center. Burlington, VT. 9 March – 28 April 2012. Process 18 software with related prints and objects, Process 16 (Software 3), Network B. [S-13]

Process Compendium 2004–2010. Gallery [DAM] Berlin. Berlin, Germany. 10 September – 3 November 2010. Process Compendium archive prints and selection of Process 18 prints. [S-12]

Transfers and Actions. Mejan Labs, Royal Academy of Fine Arts. Stockholm, Sweden. 15 April – 7 June 2009. Process 18. [S-11]

Code and Form. Pittsburgh Center for the Arts. Pittsburgh, PA. 7 February – 19 April 2009. Works from the Process series. [S-10]

Process / Form. bitforms gallery. New York, NY. 6 March – 12 April 2008. Debut of new work from the Process series. [S-09]

The Protean Image. <>TAG. The Hague, Netherlands. 19 September – 3 November 2007. Debut of the The Protean Image Machine. [S-08]

Microstates. James Edward Carlos Gallery, University of the South. Sewanee, TN. 16 November 2007 – 9 January 2008. Process 14 and 18. [S-07]

Casey Reas and Suzung Kim. bitforms gallery. Seoul, Korea. 15 December 2006 – 27 January 2007. Debut of new work from the Process series. [S-06]

Natural. BANK. Los Angeles, CA. 10 September – 15 October 2005. Two-person exhibition with Betsy Davis, exhibited TI. [S-05]

Process / Drawing 2. Gallery [DAM] Berlin. Berlin, Germany. 2 October – 23 November 2005. Process 6 and related prints, debut of Process 7. [S-04]

Process / Drawing. bitforms gallery, New York, NY. 4 March – 3 April 2005. Debut of Process 4, 5, 6 software and related prints. [S-03]

TI. Telic Arts Exchange, Los Angeles, CA. 15 May 2004. Debut of TI. [S-02]

The Art of Code: Golan Levin and Casey Reas. bitforms gallery, New York, NY. 21 February – 30 March 2002. RPM and debut of Tissue and Seed. [S-01]

Selected group exhibitions, screenings, performances

2025
Infinite Images: The Art of Algorithms. Toledo Museum of Art. Toledo, OH. 12 July – 30 November 2025. Curated by Julia Kaganskiy. CENTURY and Earthly Delights 3.2. [E-25-04]

Rhizome World. WSA (161 Water Street). New York, NY. 18 April – 11 May 2025. Curated by Michael Connor et al. 923 Empty Rooms. [E-25-03]

AI as Soon at the End of Ownership. Guangdong Times Museum. Guangzhou, China. 21 March – 22 June 2025. Compressed Cinema. [E-25-02]

Cut from the Same Cloth. Palo Alto Art Center. Palo Alto, CA. 18 January – 6 April 2025. Curated by Christine Duval. Today’s Ideology (5 November 2024), METASOTO. [E-25-01]

2024
Art Must Be Artificial. Diriyah Art Futures. Diriyah, Saudi Arabia 26 November 2024 – 15 February 2025. Curated by curator Jérôme Neutres. Today’s Ideology (26 July 2015). [E-24-08]

Programmed Expressionism. Nguyen Wahed and DAM Projects. London, UK. 21 – 27 November 2024. Process Compendium prints 13 and 16. [E-24-08]

Topologies of the Real. Meixihu Contemporary Art Museum. Changsha, Hunan, China. 10 November 2024 – 10 March 2025. Compressed Cinema. [E-24-07]

Digital Witness: Revolutions in Design, Photography, and Film. Los Angeles County Museum of Art (LACMA). Los Angeles, CA. 24 November 2024 – 13 July 2025. Process 14. [E-24-06]

Electric Op. Buffalo AKG Art Museum. Buffalo, NY. 27 September 2024 – 27 January 2025. Curated by Tina Rivers Ryan. METASOTO. [E-24-07]

Awaken Metamagical Hands. Gazelli Art House. London, UK. 19 July – 28 September 2024. Are you the Perfect Specimen? created in collaboration with Lauren Lee McCarthy. [E-24-05]

Code – Kunst – Konstruktionen. Städtische Galerie Wolfsburg. Wolfsburg, Germany. 6 July – 11 August 2024. Untitled Film Still 4.16. [E-24-04]

Art Blocks Curated. MIX Center, Herberger Institute for Design and the Arts. Arizona State University. Phoenix, Arizona. 23 May 2024. Pre-Process. [E-24-03]

Poems in Code. Yebisu International Festival for Art and Alternative Visions. Tokyo, Japan. 2 – 18 February 2024. There’s No Distance. [E-24-02]

À La Recherche de Vera Molnár. Wolfgang Museum. Budapest, Hungary. 10 February – 14 April 2024. Hommage à Molnar. Exhibition subsequently presented at Pera Museum in Istanbul, Turkey 19 September – 26 January 2025.[E-24-01]

2023
Influentia. IEGO Art Gallery. Taipei, Taiwan. 8 December 2023 – 7 January 2024. CSRSNT-CAAI-072-of-128.png. [E-23-13]

Infinite Games: Hello, World! 798 Art Zone. Beijing, China. 16 November – 25 December 2023. Curated by Baoyang Chen and Emma Cheng. Process 13, Compressed Cinema. [E-23-12]

Compressed Cinema. Anthology Film Archive. New York, NY. 11 November 2023. U.S. theatrical premiere of five Compressed Cinema videos. [E-23-11]

Interreality. Desmond Tower. Los Angeles, CA. 14 October – 25 November 2023. Earthly Delights 2.2, Still Life (HSB-D). [E-23-10]

Node to Node. Kate Vass Galerie. Paris, France. 13 – 22 October 2023. [E-23-09]

A Full Room. Los Angeles County Museum of Art (LACMA). Los Angeles, CA. 29 June 2023. Performance with Lauren Lee McCarthy, Romi Morrison, and Edgar Fabián Frías. [E-23-08]

Compressed Cinema. Babylon. Berlin, Germany. 10 September 2023. Theatrical premiere of five Compressed Cinema videos. [E-23-07]

SIGGRAPH Art Gallery. Los Angeles Convention Center. Los Angeles, CA. 8 – 10 August 2023. Installation of An Empty Room for the 50th anniversary of SIGGRAPH. [E-23-06]

Cartography of the Soul. Christie’s. New York, NY. 21 – 27 June 2023. Process Compendium (X-8). [E-23-05]

Beyond the Photographic: Heinz Hajek-Halke’s Light Graphic & New Pioneers. Chaussee 36. Berlin, Germany. 3 March – 29 April 2023. Process 20 (Software 2). [E-23-04]

Co-Created: The Artist in the Age of Intelligent Machines. Burlington City Arts (BCA). Burlington, Vermont. 10 February – 6 May 2023. Earthly Delights 2.2. [E-23-03]

A Leap into the Void. Art beyond Matter. GAMeC – Galleria d’Arte Moderna e Contemporanea di Bergamo. Bergamo, Italy. 3 February – 28 April 2023. Process 18 (Software 6). [E-23-02]

Machine Imaginaire | Vera Molnar. DAM Projects. Berlin, Germany. 28 January – 1 April 2023. Debut of Hommage à Molnar. [E-23-01]

2022
Peer to Peer. Feral File. Curated by Tina Rivers Ryan. Debut of METASOTO. [E-22-07]

Unit London Take-Over. Nassima Landau Art Foundation. Tel Aviv, Israel. 17 November – 22 December 2022. Still Life (HSB A). [E-22-06]

In Our Code. Unit. London, UK. 13 September – 16 October 2022. Process Compendium (X-4), (X-5), (X-6).

Ex-Machina: A History of Generative Art. Phillip’s. London, UK. 11 July – 5 August 2022. Path (Software 1). [E-22-05]

Mimèsis. Un design vivant. Centre Pompidou-Metz. Metz, France. 11 June 2022 – 6 February 2023. Process 13. [E-22-04]

Cartography of the Mind. Christie’s. New York, NY. 21 – 28 June 2022. Process Compendium (X-6). [E-22-02]

SonarMàtica. Sónar. Barcelona, Spain. 16 – 18 June 2022. CENTURY-XXX. [E-22-02]

RAWWAR. DAM Projects. Berlin, German. 6 May – 25 June 2022. Operation TEAPOT. [E-22-01]

2021
The Digital. Miami Art Week. 3 – 5 December 2021. Curated by Sofia Garcia. CENTURY. [E-21-06]

A Generative Movement. Minnesota Street Projects. San Francisco, CA. 2 October 2021 – 5 February 2022. There’s No Distance 1.2. [E-21-05]

AI Delivered: The Abject. Chronus Art Center (CAC). Shanghai, China. 3 July – 17 October 2021. Compressed Cinema videos. [E-21-04]

Tech/Know/Future: From Slang to Structure. George Segal Gallery. Montclair State University. Montclair, NJ. 14 September – 11 December 2021. Curated by Tom Lieser. KTTV (August 2015). [E-21-03]

Proof of Art. Francisco Carolinum. Linz, Austria. 11 June – 15 September 2021. Curated by Jesse Damiani. Latent Images 1.1, Anima. [E-21-02]

Natively Digital: A Curated NFT Sale. Sotheby’s. 4 June – 10 June 2021. London, United Kingdom; New York, NY; Hong Kong, China. Curated by Robert Alice. There’s No Distance 2.1. [E-21-01]

2020
Design & the Wondrous: On the Nature of Ornament. Centre Pompidou x West Bund. Shanghai, China. 12 November 2020 – 28 February 2021. Curated by Olivier Zeitoun and Marie-Ange Brayer. Process 13. [E-20-06]

Compressed Cinema. Walker Art Center Virtual Cinema. Minneapolis, MN. 10–18 November 2020. Curated by Michael Walsh. Compressed Cinema videos. [E-20-05]

Thin as Thorns, In These Thoughts in Us: An Exhibition of Creative AI and Generative Art. Honor Fraser. Los Angeles, CA. 8 September 2020 – 20 February 2021. Curated by Kenric McDowell and Paul Young. Compressed Cinema videos. [E-20-04]

Silhouette Festival. Paris, France. 28 August. Guilty Party. [E-20-03]

Immaterial/Re-material: A Brief History of Computing Art. UCCA Center for Contemporary Art. Beijing, China. 26 September 2020 – 17 January 2021. Today’s Ideology (26 July 2015). [E-20-02]

GANLand. DAM Gallery. Berlin, Germany. 1 February – 21 March 2020. Latent Slice 1.2. [E-20-01]

2019
Print Screen Unseen. The Israeli Center for Digital Art. Holon, Israel. 19–21 November 2019. Transference. [E-19-12]

What a Wonderful World. La Fondazione Palazzo Magnani Reggio Emilia. Reggio Emilia, Italy. 16 November 2019 – 8 March 2020. Curated by Claudio Franzoni and Pierluca Nardoni. [E-19-11]

Super Mosaic. Lei Shing Hong Art Center. Beijing, China. 15–30 November 2019. Transference, Infinite Command Team. [E-19-10]

Illusionary Nature. Museum Sinclair-Haus. Bad Homburg vor der Höhe, Germany. 10 November 2019 – 2 February 2020. Curated by Ina Fuchs. Earthly Delights 1.1. [E-19-09]

Augmenting Creativity. Nanjing University. Nanjing, China. 3–15 November 2019. Curated by Jason Bailey. MicroImage (Software 1). [E-19-08]

With A Little Help From My Friends. Charlie James Gallery. Los Angeles, CA. 14 September – 26 October 2019. MicroImage A-02. [E-19-07]

Latent See. Anteism. Montreal, Canada. 3 October – 30 November 2019. Compressed Cinema prints. [E-19-06]

LACE Benefit Art Auction. Los Angeles, CA. 29 May 2019. RGB-056-006-080-823-715. [E-19-05]

Automat und Mensch. Kate Vass Galerie. Zürich, Switzerland. 29 May – 15 October 2019. Curated by Jason Bailey and Georg Bak. Process Compendium, Process 14 (Software 2). [E-19-04]

Sim-Cinema. WEVR. Los Angeles, CA. 26–28 April 2019. Curated by FLOAT LAND. [E-19-03]

New Technologies, New Visions. Los Angeles Art Book Fair, Los Angeles Museum of Contemporary Art (MOCA.) Los Angeles, CA. 12 – 14 April 2019. Untitled Film Stills. [E-19-02]

bitforms gallery LA. ROW DTLA. Los Angeles, CA. 12 February – 17 March 2019. Still Life (RGB A). [E-19-01]

2018
Design et merveilleux : de la nature de l'ornement. Musée d’art moderne et contemporain de Saint-Étienne Métropole. Saint-Étienne, France. 1 December 2018 – 22 April 2019. [E-18-11]

Digital Artifacts. Art House. Santa Fe, NM. 30 November 2018 – 30 November 2019. Today’s Ideology (28 August 2016). [E-18-10]

Stitching and Weaving in the Digital Age. The Residence de France. San Francisco, CA. 11 October 2018 – 28 February 2019. Curated by Christine Duval. Exhibition subsequently presented at Currents 826 in Santa Fe, NM. 24 May – 24 August 2019. [E-18-09]

Programmed: Rules, Codes, and Choreographies in Art, 1965 – 2018. Whitney Museum of American Art. New York, NY. 28 September to 14 April 2018. Organized by Christiane Paul and Carol Mancusi-Ungaro. Structure 3A, 3B. [E-18-08]

The Art of Transformation. Kulturhaus der BASF. Schwarzheide, Germany. 14 September – 25 November 2018. Curated by Wolf Lieser. [E-18-07]

Chance and Control: Art in the Age of Computers. Victoria and Albert Museum. London, UK. 7 July – 18 November 2018. Process 18 (Software 3). [E-18-06]

Summer Splash 4. DAM Gallery. Berlin, Germany. 23 June – 31 July 2018. Operation TEAPOT. [E-18-05]

Coder le monde: Mutations / Créations 2. Centre Pompidou. Paris, France. 14 June – 27 August 2018. Curated by Frédéric Migayrou. Tox Screen. [E-18-04]

Mis (missing) Information. Charlie James Gallery. Los Angeles, CA. April 28 - June 2, 2018. Curated by Jody Zellen and Brian C. Moss. Debut of Today’s Ideology (1 April 2018). [E-18-03]

Watch Your Bubble! Kunstverein Tiergarten | Galerie Nord. 9 May – 23 June 2018. Berlin, Germany. Today’s Ideology (28 August 2016). [E-18-02]

Make Pictures. bitforms gallery. New York, NY. 23–25 March 2018. Curated by Jeffrey Alan Scudder. Debut of Sketch Machine. [E-18-01]

2017
Day for Night. Barbara Jordan Post Office. Houston, TX. 15–17 December 2017. Curated by Alex Czetwertynski. Debut of Impure Functions, a collaboration with the UCLA Arts Conditional Studio. [E-17-12]

Drawn from a Score. Beall Center for Art and Technology. Irvine, CA. 7 October 2017 – 3 February 2018. Curated by David Familian. Process 15, https://www.youtube.com/results?search_query=adventuretime, KDOC (Live). [E-17-11]

Engaging Technology II: Art + Science. David Owsley Museum of Art. Muncie, IN. 28 September – 22 December 2017. Curated by John Fillwalk. Process 15, Tox Screen, MicroImage (Software 1). [E-17-10]

Ars Electronica Festival. Moviemento. Linz, Austria. 7–11 September 2017. KTTV (video). [E-17-09]

This is How it Ends. Coaxial. Los Angeles, CA. 27 August 2017. KTTV (video). [E-17-08]

Silhouette Festival. Le Hasard Ludique. Paris, France. 25 August – 2 September. Guilty Party. [E-17-07]

Guilty Party. Basilica Hudson. Hudson, NY. 14–15 July. Live visuals for performances for Sō Percussion, Buke & Gase, Mouse on Mars, and The National. [E-17-06]

Bluebird Art + Sound Festival. Snowmass, CO. 1–2 July 2017. Curated by Jesse Fleming. Americans! [E-17-05]

Crooked Data: (Mis)Information in Contemporary Art. University of Richmond, Joel and Lila Harnett Museum of Art. Richmond, VA. 9 February – 5 May 2017. Curated by N. Elizabeth Schlatter. KTTV (August 2015). [E-17-04]

Modus Operandi. Société. Brussels, Belgium. 15 April – 15 July 2017. Curated by Société + Gregory Lang. Process 7. [E-17-03]

Rhythms + Visions: Expanded + Live 3. USC School of Cinematic Arts Complex. Los Angeles, CA. 28 April 2017. Curated by Michael Patterson and Candace Reckinger. [E-17-02]

Trumpdown! Telic Arts Exchange. Los Angeles, CA. 1 April 2017. Debut of Operation TEAPOT. [E-17-01]

2016
DAM:TEMPORARY. DAM Gallery. Berlin, Germany. 20 September – 1 October 2016. [E-16-10]

Test Patterns. Current Museum. New York, NY. 4 November – 15 December 2016. Curated by Kelly Rae Aldridge. KTTV (August 2015). [E-16-09]

Festival of Endless Gratitude. KPH Volume. Copenhagen, Denmark. 15–17 September 2016. 100% Gray Coverage. [E-16-08]

Festival Forte. Montemor-o-Velho Castle. Montemor-o-Velho, Portugal. 25–27 August 2016. KNBC (December 2015). [E-16-07]

CODE and NOISE. El Museo Cultural De Santa Fe. Santa Fe, NM. 10–26 June 2016. Curated by Christine Duval. Today’s Ideology (26 July 2015). Exhibition subsequently presented at Arena 1 in Santa Monica, CA 10 September – 8 October 2016. [E-16-06]

Code + Poetry. DAM Gallery. Berlin, Germany. 9 April – 4 July 2016. Path (Software 1). [E-16-05]

DATAStream. Miles C. Horton Jr. Gallery. Blacksburg, Virginia. 18 February – 17 April. Curated by Margo Ann Crutchfield. KTTV (August 2015), AYFABTU (Followers), https://www.youtube.com/results?search_query=adventuretime. [E-16-04]

DIGITRA. Treviso Ricerca Arte. Treviso, Italy. 15 May – 5 June. Curated by Ennio Bianco. Pfft! [E-16-03]

Cat Heroicus Sublimis. Online. https://newhive.com/peertospace/catheroicussublimis. Curated by Tina Sauerländer and Peggy Schoenegge. Americans! (GIF excerpt). [E-16-02]

Digital Generation; Art from Fidelity International. OBS Gallery. Kent, United Kingdom. 23 January – 6 March 2016. [E-16-01]

2015
Day for Night. Silver Street Studios. Houston, TX. 19–20 December 2015. Curated by Alex Czetwertynski. Debut of KNBC (December 2015). [E-15-09]

Pushing the Press. A+D Museum. Los Angeles, CA. 19 November 2015 – 29 February 2016. Curated by Stephen Child and David Mayes. Process Compendium 2004–2010. [E-15-08]

Technics and Touch: Body-Matter-Machine. RMIT. Melbourne, Australia. 11 December 2015 – 30 January 2016. Tissue. [E-15-07]

Istanbul Light Festival. Zorlu Center. Istanbul, Turkey. 13–19 November 2015. Curated by Adam Eeuwens and Rebeca Méndez. Linear Perspective, Today’s Ideology. [E-15-06]

Aesthetica. DAM Gallery. Berlin, Germany. 30 May – 1 August 2015. Debut of RGB plotter drawings. [E-15-05]

Short Cuts. CentrePasquArt. Biel, Switzerland. 18 April – 6 June 2015. Curated by Daniel Sciboz. CENTURY. [E-15-04]

Musée Passager. 4–26 April in Alfortville, France. 4–24 May 2015 in Cergy-Pontoise, France. 1–21 June 2015 in Meaux, France. Surface. [E-15-03]

Free State Festival. Lawrence Arts Center. Lawrence, KS. 26 June 2015. Tox Screen. [E-15-02]

The Dematerialized Auction: A Fluxus Fundraiser for George. New York, NY. 10 January 2015. Organized by Jordan Carter and Anitra Lourie. Finite Distributed Network. [E-15-01]

2014
ARTMIX. Boulder Museum of Contemporary Art. Boulder, CO. 19 September 2014. One Non-Narcotic Pill A Day. [E-14-06]

NYC Makers: The MAD Biennial. Museum of Arts and Design. New York, NY. 1 July 2014 – 12 October 2013. Primitives, this could be an extraordinary find, a collaboration with Aranda\Lasch. [E-14-05]

EXEMPLARY, 150 Years of the MAK From Arts and Crafts to Design. 11 June 2014 – 5 October 2014. MAK Museum of Applied Arts. Vienna, Austria. Processing. [E-14-04]

//the_ART_of_DATA. Boulder Museum of Contemporary Art. Boulder, CO. 24 April – 6 July 2014. Curated by Steven Sacks and Peter Hirshberg. [E-14-03]

Coding the Body. apexart. New York, NY. 20 March – 10 May 2014. Collaboration with Cait Reas. Curated by Leah Buechley. [E-14-02]

Presentism: Light as Material. Young Projects. Los Angeles, CA. 31 January – 8 March 2014. Debut of Even the Greatest Stars Discover Themselves in the Looking Glass, An Allegory of the Cave for Three People. [E-14-01]

2013
No Message Whatsoever. DAM Gallery. Berlin, Germany. 16 November 2013 – 23 January 2014. [E-13-18]

Zeitzünder. DAM Gallery. Frankfurt, Germany. 9 November 2013 – 1 February 2014. Network C. [E-13-17]

Film Lab, 6th Annual Imagine Science Film Festival. Made in NY Media Center, New York, NY. 13 October 2013.
Network B software. [E-13-16]

Paddles ON!, a benefit auction for Rhizome. Phillips. New York, NY. 5–12 October 2013. Curated by Lindsay Howard. Americans! [E-13-15]

Shifting Paradigms of Identity. Kent State University Museum, Kent, OH. 26 September 2013 – 31 August 2014. Tissue Collection, Tissue software. [E-13-14]

Autonomous. Gallery@Calit2, University of California, San Diego. La Jolla, CA. 9 October – 13 December 2013. Network B software. [E-13-13]

ArchiLab. FRAC Centre. Orléans, France. 14 September 2013 – 2 February 2014. Process 13, MicroImage prints and software. [E-13-12]

Poetic Mathematical Rhymes. Boston Cyberarts Gallery. Boston, MA. 5 September 2013 – 6 October 2013. Path software. [E-13-11]

void loop. Antenna Gallery. New Orleans, LA. 10 August – 8 September 2013. MicroImage software, Path software. [E-13-10]

do it 2013. Manchester Art Gallery. Manchester, UK. 5 July – 22 September 2013. Yes No. [E-13-09]

//the_ART_of_DATA. The Resnick Gallery. Aspen, CO. 16 June – 2 September 2013. Signal to Noise (Software 5). Curated by Steven Sacks and Peter Hirshberg. [E-13-08]

A New Sculpturalism. Museum of Contemporary Art, Los Angeles. Los Angeles, CA. 16 June – 16 September 2013. Textile Room. Collaboration with P-A-T-T-E-R-N-S and North Sails. [E-13-07]

Run Computer Run: Examining Aesthetics. Rua Red. Dublin, Ireland. 24 May – 13 July 2013. Curated by Nora O' Murchú. Network D software and prints, Signal to Noise (Software 1). [E-13-06]

Click. Helsingør, Denmark. 2013. 8–11 May. Signal to Noise software. [E-13-05]

Back to Back. Gallery [DAM]Frankfurt. 20 February – 27 April 2013. Process 18 (Software 4), Signal to Noise (Software 4). [E-13-04]

Decenter. Abrons Art Center. 17 February – 7 April 2013. Curated by Andrianna Campbell and Daniel S. Palmer. Signal to Noise (Software 1). [E-13-03]

Poetic Codings. Fellows of Contemporary Art, Los Angeles, CA. Curated by Jody Zellen. 26 January – 29 March 2013. Premiere of Signal to Noise (Software 3). Exhibition subsequently presented at the Boston Cyberarts Gallery 26 April – 2 June 2013 and San Jose Institute of Contemporary Art 31 May – 6 September 2014. [E-13-02]

Infinity +1, part 1. Arena 1 Gallery. Santa Monica, CA. Curated by Christine Duval. 12 January – 9 February 2013. Process 14 (Software 3). [E-13-01]

2012
AI Plus. National Taiwan Museum of Fine Arts. 24 November 2012 – 17 February 2013. Curated by Hui-Ching HSIEH. [E-12-09]

Microwave International Media Art Festival. Hong Kong, China. 10 November – 18 November 2012. Signal to Noise (Software 1, 2). [E-12-08]

Field Conditions. San Francisco Museum of Modern Art. San Francisco, CA. Curated by Joseph Becker. 1 September 2012 – 6 January 2013. Debut of Process 18, 2012. [E-12-07]

Multiversités Créatives. Centre Pompidou. Paris, France. 3 May – 6 August 2012. Process 13. [E-12-06]

World on a Wire. bitforms gallery. New York, NY. 28 June – 3 August 2012. Curated by Laura Blereau. Process 18 prints. [E-12-05]

Rethinking Typologies. The Art Institute of Chicago. Chicago, IL. 3 March – 29 July 2012 . Tissue. [E-12-04]

Random Access: Data as Art. Montserrat Gallery, Montserrat College of Art. Beverly MA. 3 February – 31 March 2012. Process 14 (Software 3). [E-12-03]

The Creators Project. Fort Mason. San Francisco, CA. 17–18 March 2012. Process 16 (Software 3). [E-12-02]

Codings. The Pace Digital Gallery. New York, NY. 28 February – 30 March 2012. 10 PRINT. [E-12-01]

2011
Expect Big Delay. 405 Freeway. Los Angeles, CA. Curated by Johanna Reed. Debut of Data Capsule (Carmageddon). [E-11-06]

Think Line 2. Gallery [DAM] Berlin. Berlin, Germany. 16 November 2011 – 14 January 2012. Debut of Tissue installation. [E-11-05]

Seeing/Knowing. Graham Gund Gallery, Kenyon College. Gambier, OH. 29 October 2011 – 4 March 2012. Process 18 (Software 2), Process 18 (Object 1, 2), Process 4 (Installation 3). [E-11-04]

Deep Surface. CAM Raleigh. Raleigh, NC. 24 September 2011 – 2 January 2012. Maharam Digital Projects Process 6. [E-11-03]

Ornamental Structures. Stadtgalerie Saarbrücken. Saarbrücken, Germany. 20 August – 30 October 2010. Network B. [E-11-02]

File Type. Gallery 400. Chicago, IL. 17 June – 30 July 2010. Pre-process Hex, Pre-process Execution. [E-11-01]

2010
Hyperlinks: Architecture and Design. Art Institute of Chicago. 11 December 2010 – 20 July 2011. Immuring and Clad. [E-10-08]

Quotidian Architectures. 12th International Architecture Exhibition, La Biennale di Venezia, Hong Kong Pavilion. Venice, Italy. Clad, a set of sculptures by davidclovers in collaboration with Casey Reas. [E-10-07]

Machinic Processes. Architecture Biennial Beijing 2010. Beijing, China. 15–31 October 2011. Curated by Elena Manferdini. Immuring. [E-10-06]

Swarm Intelligence: Architectures of Multi-Agent Systems. University of Hong Kong Faculty of Architecture Shanghai Study Centre. Shanghai, China. 17 July – 22 August 2010. [E-10-05]

Immuring. SCI-Arc Gallery. Los Angeles, CA. 4 June – 18 July 2010. Debut of Immuring, a set of sculptures by davidclovers, in collaboration with Casey Reas. [E-10-04]

E-Volve. Gallery [DAM]Cologne. Cologne, Germany. 24 April – 24 June 2010. Network A. [E-10-03]

Process as Paradigm. Laboral Centro de Arte y Creación Industrial. Gíjon, Spain. 23 April – 27 September 2010. Curated by Susanne Jaschko and Lucas Evers. Process 18 software with objects and prints. [E-10-02]

Code:Craft. Millennium Gallery. Sheffield, UK. 27 January – 16 June 2010. Network A. [E-10-01]

2009
Decode: Digital Design Sensations. Victoria & Albert Museum, Porter Gallery. London, UK. 8 December 2009 – 11 April 2010. Exhibition subsequently presented at the Museum of CAFA in Beijing, The Garage Center for Contemporary Culture in Moscow, and the Design Museum Holon. TI. [E-09-11]

Vida_Origen. Museu del Montsià. Amposta, Spain. 7 November – 8 December 2009. Network B. [E-09-10]

Collider: Interactivity and New Media. Emily Davis Gallery, Myers School of Art. Akron, OH. 24 September – 24 October 2009. Debut of Protean Image Machine 2009. [E-09-09]

OPEN. Gray Area Foundation for the Arts. San Francisco, CA. 1 October – 18 November 2009. Debut of Surface, Network A, Network B with a selection of prints and objects from the Process series. [E-09-08]

HelloWorld.show();. CreateHere. Chattanooga, TN. 31 July – 12 September 2009. Pre-process Execution and Pre-process Hex. [E-09-07]

Art + Electronic Media. bitforms gallery. New York, NY. 18 June – 10 July 2009. Process 8 (Image 1). [E-09-06]

Incognito 2009, Santa Monica Museum of Art. Santa Monica, CA. 2 May 2009. [E-09-05]

Loops. MIT Museum. Cambridge, MA. 24 April – 10 May 2009. Debut of Merce, an interpretation of a motion-captured performance of Merce Cunningham performing Loops. [E-09-04]

Abstract Cinema. Museum of Contemporary Art, North Miami. North Miami, FL. 26 March – 10 May 2009. Curated by Bonnie Clearwater. Process 16. [E-09-03]

I'll be your mirror. BANK gallery. Los Angeles, CA. 21 February – 28 March 2009. Fissure. [E-09-02]

Scalable Relations. Beall Center for Art + Technology. Irvine, CA. 9 January – 14 March 2009. Curated by Christiane Paul. Process 16. [E-09-01]

2008
MR.xpo 22 _ C.E.B. Reas. MediaRuimte. Brussels, Belgium. 10 – 29 November 2008. <>TAG presents an exhibition of The Protean Image and MicroImage at MediaRuimte as part of the Cimatics festival. [E-08-17]

eLandscapes. Zendai Museum of Modern Art. Shanghai, China. 19 October – 16 November 2008. Curated by Richard Castelli. MicroImage software as a large projection. [E-08-16]

Processing Light. Todays Art Festival 2008. The Hague, Netherlands. 26–27 September 2008. Maxalot curated light projections onto the VROM building, across from the central station in The Hague. [E-08-15]

Algorists 2008. Kavli Institute for Theoretical Physics (KITP), University of California, Santa Barbara. Santa Barbara, CA. Opened 25 September 2008. Curated by Jean-Pierre Hébert. MicroImage prints. [E-08-14]

Matters of Sensation. Artists Space. New York, NY. 24 September – 15 November 2008. 07 Masses, an architectural model developed in collaboration with davidclovers. [E-08-13]

Breeding Objects. C.STEM 2008. Turin, Italy. 19–27 September 2008. Tissue Collection, a collaboration with 1 of 1 Studio. [E-08-12]

Alt_CHP: Platform for Nordic Non-profit Art Spaces. 19–21 September 2008. Network 2008 as a projection in association with Mikrogalleriet, DK. [E-08-11]

5th Seoul International Media Art Biennale. Seoul, Korea. 12 September – 5 November 2008. TI. [E-08-10]

Media Cabaret at the Philadelphia Live Arts Festival. Philadelphia, PA. 29 August – 13 September 2008. Curated by Lars Jan. Process 14 and Process 16 as large, ambient projections. [E-08-09]

Impermanent Markings. Pratt Manhattan Gallery, New York. 6 March – 17 April 2008. Curated by Linda Lauro-Lazin. TI. [E-08-08]

Digital Senses. Center for Contemporary Art, Kiev, Ukraine. 18 April – 11 May 2008. Tissue software in an exhibition curated by Ars Electronica. [E-08-07]

Holy Fire. iMAL Center, Brussels. 18–30 April 2008. Curated by Yves Bernard and Domenico Quaranta. Process 5. [E-08-06]

At Random? Netwerken en kruisbestuivingen. Museum De Paviljoens. Almere, Netherlands. 5 March – 6 April 2008. The Protean Image Machine. [E-08-05]

Expanded Box at ARCO 2008. Madrid, Spain. 13–18 February 2008. TI. [E-08-04]

Project(or) Art Fair, Art Rotterdam. Rotterdam, Netherlands. 6–10 February 2008. The Protean Image Machine in association with <>TAG. [E-08-03]

Space, Color, and Motion. Block Museum of Art at Northwestern University. Evanston, IL. 18 January – 6 April 2008. Curated by Deborah Wood. TI. [E-08-02]

Imaging by Numbers: A Historical View of the Computer Print. Block Museum of Art at Northwestern University. Evanston, IL. 18 January – 6 April 2008. Curated by Deborah Wood and Paul Hertz. Process 6 (Image 3), Path 17. [E-08-01]

2007
Ars Electronica. Shanghai eArts Festival 2007. 20 October – 10 November 2007. Shanghai, China. Tissue software. [E-07-09]

Tissue Collection. Concrete Image Store. Amsterdam, Netherlands. 19 September – 3 November 2007. Debuted the Tissue Collection, a series of garments created in collaboration with 1 of 1 Studio. [E-07-08]

Ephemeral: Explorations in Light. Claremont Museum of Art. Claremont CA. 16 September – 30 December 2007. Curated by Pilar Tompkins. TI. [E-07-07]

Scriptedbypurpose. FUEL Collections n. Philadelphia, PA. 7–20 September 2007. Curated by Marc Fornes and Skylar Tibbits. Process 8 (Image 2) and Process 14. [E-07-06]

Summer Group Exhibition. bitforms gallery. New York, NY. 25 May – 20 June 2007. Process 11. [E-07-05]

Taste, 28th Annual Benefit Auction. LACE. Los Angeles, CA. 19 May 2007. Process 6 (Puff) print. [E-07-04]

Persee: Orchestrated Perception. Regent Theater. Los Angeles, CA. 10 May 2007. Live visual performance of Process 11, in collaboration with Drew Schnurr. [E-7-03]

FEEDBACK. Laboral Centro de Arte. Gijón, Spain. 30 March – 30 June 2007. Curated by Christiane Paul. Debut of Process 4 (Installation 1). [E-07-02]

Our Distance from Things. Telic Arts Exchange. Los Angeles, CA. 17 March – 7 April 2007. MicroImage video. [E-07-01]

2006
Design Life Now: National Design Triennial. Cooper-Hewitt, National Design Museum, Smithsonian Institution. New York, NY. 8 December 2006 – 29 July 2007. Traveled to Institute of Contemporary Art, Boston (28 September 2007 – 6 January 2008) and Contemporary Arts Museum Houston (26 January – 20 April 2008). Process 6 (Image 4). [E-06-12]

Cybernetic Sensibility. Daelim Contemporary Art Museum. Seoul, Korea. 26 October 2006 – 21 January 2007. Process 6 (Image 3). [E-06-11]

Texelectronica. UNT Fort Worth ArtSpace. Fort Worth, TX. 26–28 October 2006. Debut of Process 9 (Installation 1). [E-06-10]

Further Processing. Kunstverein Medienturm. Graz, Austria. 23 September – 11 November 2006. Curated by Marius Watz. Process 9. [E-06-09]

La Noche en Blanco. Madrid, Spain. 23 September 2006. Process 7 projection. [E-06-08]

Second Natures. University of California, Los Angeles. Los Angeles, CA. 14 September – 26 October 2006. Faculty exhibition curated by Christiane Paul for the opening of the Broad Art Center. Process 4. [E-06-07]

Interferenze New Arts Festival. Naturalis Electronica. San Martino Valle Caudina, Italy. 3–5 August 2006. Triptych projection of Process 6, 7, and 8. [E-06-06]

Living Culture. Eyebeam. New York, NY. 27 July 2006. Curated by Melanie Crean and Sophie Springer. MicroImage video. [E-06-05]

Drawing / Painting / Sketching. CCCB. Barcelona, Spain. 11–12 May 2006. Curated by José Luis de Vicente, held in conjunction with the OFFF festival. Triptych projection of Process 6, 7, and 8. [E-06-04]

Drawing Conclusions on the Wall. Chapman University. Orange, CA. Spring 2006. Process 6 (Puff) prints. [E-06-03]

ARTEFACT Festival. STUK Arts Centre. Leuven, Belgium. 13–18 February 2006. MicroImage software as a projection. [E-06-02]

Software Art. DeCordova Museum, Lincoln, MA. 28 January – 16 April 2006. Articulate and Tissue software. [E-06-01]

2005
Forty Winks: Mini-Theater. Ego Park Gallery. Oakland, CA. 2–23 December 2005. MicroImage. [E-05-15]

Swarm. Fabric Workshop and Museum. Philadelphia, PA. 3 December 2005 – 18 March 2006. Process 4, Process 6 prints. [E-05-14]

Moving Pictures: Digital Paintings. The Dallas Center for Contemporary Art. Dallas, TX. 4 November – 23 December 2005. Process 4. [E-05-13]

Bioart. Gallery António Prates. Lisbon, Portugal. 23 September – 18 October 2005. Process 6 software and prints. [E-05-12]

Generator.x. National Museum for Art, Architecture and Design. Oslo, Norway. 24 September – 16 October 2005. Curated by Marius Watz. Process 8 (Software 2). [E-05-11]

Ars Electronica Animation Festival 2005. Linz, Austria. 2–6 September 2005. TI animation. [E-05-10]

Thick Works. School of the Art Institute of Chicago. Chicago, IL. 16 August – 28 September 2005. Thick Process 5. [E-05-10]

Abstraction Now in White Noise. Australian Centre for the Moving Image. Melbourne, Australia. 18 August – 23 October 2005. Articulate. [E-05-09]

8 Abstractions, Now. À La Carte Digital Art. Sónar. Barcelona, Spain. 13-16 June 2005. Articulate. [E-05-08]

Lines and Curves, LIMN Gallery. San Francisco, CA. 18 June – 30 July 2005. Tissue, MicroImage, Path. [E-05-07]

Fresh, Museum of Contemporary Art Auction 2005. Los Angeles, CA. 4 June 2005. Process 5. [E-05-06]

Generative X @ onedotzero. Institute for Contemporary Art. London, UK. 27 May – 6 June. Articulate. [E-05-05]

Rhizome ArtBase 101, New Museum of Contemporary Art. New York, NY. 23 June – 10 September 2005. {Software} Structures. [E-05-04]

Exit Festival. Créteil, France. 30 March – 2 April 2005. MicroImage. [E-05-03]

Exposition Inventeurs! Via Festival International. Maubeuge, France. 10–21 March 2005. MicroImage. [E-05-02]

Artware3. Instituto Cultural Peruano Norteamericano. Lima, Peru. 28 April – 5 June 2005. Tissue, MicroImage, MicroImageBW. [E-05-01]

2004
Art Life. Seeing Gallery, San Francisco Exploratorium. San Francisco, CA. 14 October – 6 February 2005. Tissue software. [E-04-13]

Touch and Temperature. Deborah Colton Gallery, Houston, TX. 2 October – 30 November 2005. Dakadaka. [E-04-12]

Sonic Acts X. Paradiso. Amsterdam, Netherlands. 23-25 September 2004. Seoul A. [E-04-11]

L´Espace temporel. Ars Electronica Festival 2005. Linz, Austria. 2–7 September 2005. Live visual performance for Steve Reich’s Music for 18 Musicians. [E-04-10]

Digital Selections. Kendall College of Art and Design Gallery. Grand Rapids, MI. 12 October – 6 November 2005. MicroImageBW. [E-04-09]

Algorithmic Revolution. ZKM. Karlsruhe, Germany. 31 October – 27 February 2004. Seoul A, Seoul B. [E-04-08]

Microwave International Media Art Festival. Hong Kong, China. 28 October – 20 November 2004. Seoul A, Seoul B. [E-04-07]

Runtime Art. Multimedia Institute. Zagreb, Croatia. 1–6 June 2004. MicroImage. [E-04-06]

Touch and Temperature. Bitforms. New York, NY. 24 June – 31 July. Curated by Michael Rees. Dakadaka. [E-04-05]

À La Carte Digital Art. Sónar. Barcelona, Spain. 17–19 June 2004. D-Cell. [E-04-04]

This is Today. Triennale, Palazzo dell’Arte. Milan, Italy. 24–29 April 2004. Processing. [E-04-03]

Art Brussels, One Man Show. Brussels, Belgium. 1–5 April 2004. MicroImage. [E-04-02]

Softwarekunst. [DAM] Berlin and Transmediale’04. Berlin, Germany. 29 January 2004. Articulate. [E-04-01]

2003
Seven Wonders. Chromosome Gallery. Berlin, Germany. 12 December 2003. MicroImage. [E-03-06]

Uijeongbu International Digital Art Festival. Seoul, Korea. 31 October – 16 November 2003. Tissue. [E-03-05]

Cluster. Mole Antonelliana. Turin, Italy. November 2003. MicroImage, Tissue, Articulate. [E-03-04]

CODE. Ars Electronica. Linz, Austria. 7–9 September 2003. MicroImage, Tissue. [E-03-03]

Abstraction Now. Künstlerhaus Wien. Vienna, Austria. 29 August – 28 September 2003. MicroImage, Articulate. [E-03-02]

Danish Film Institute. Copenhagen, Denmark. May 2003. MicroImage, Seed, Mediation videos. [E-03-01]

2002
Digital Showcase 18. Amoda. Austin, Texas. 10 December 2002. MicroImage, Mediation animation. [E-02-02]

Translations/Transgressions. University of Rhode Island. Kingston, RI. 17 October – 8 December 2002. Tissue. [E-02-01]

2001
Bitforms Inaugural Group Show. bitforms gallery. New York, NY. 15 November – 2 December 2001. Path prints. [E-01-04]

Interaction ‘01. IAMAS. Ogaki, Japan. 26 October – 4 November 2001. RPM. [E-01-03]

Animations. P.S. 1. Queens, NY. 14 October 2001 – 13 January 2002. Dakadaka. [E-01-02]

Workspheres. MoMA. New York, NY. 8 February – 22 April 2001. Atmosphere, collaborative project created by the Aesthetics + Computation Group at MIT. [E-01-01]

2000
New York Digital Salon. New York, NY. 6 November – 9 December 2000. Egg Machine. [E-00-03]

Projects from the ACG. Cooper Union. New York, NY. Plane Modulator, Reactive Box. [E-00-02]

Print on Screen. Ars Electronica Center. Linz, Austria. Dakadaka. [E-00-01]

More data is available in REAS CV 2000–Present